* Sarah Chang *






When I hear music,
I fear no danger,
I am invulnerable.
I see no foe.
I am related to the earlist times,
and to the latest.

- Henry David Thoreau




Sarah Chang was born in 1980. She was 4 when she started the violin and her first concert in public was at the age of 5. She had started learning the piano when she was 3. She was born in Philadelphia and still lives there with her parents.
Her father, Min-Soo Chang who is a professional violinist and Juilliard graduate, was Sarah's first teacher and he or her Mother accompany her on tours. She was the youngest recipient ever awarded an Avery Fisher Career Grant.
She made her debut with the New York Philharmonic at 8 years old. She was awarded the Starling Scholarship for the Julliard School in New York in 1987.
When she was 5 she began to study the violin with Dorothy DeLay. She played the Bruch Violin Concerto No. 1 for her audition into the Julliard School. She graduated from Julliard at the age of 18 in May 1999. She plays on a 1717 Guarneri del Gesu. By the time she was 8 years old she practiced about 2 or 3 hours a day, at different intervals. She now practices about 4 hours a day. Violinist Sarah Chang is now 17 years old.


QUOTE: -Her approach to music is mostly intuitive, but not entirely so. Chang said she makes sure to understand the overall structure of a piece and grasp its harmony. But that's about as far as she goes on the intellectual side.
When it comes to interpretation, I just play it and go from there. I think emotion is everything. When you get the notes, you've just scratched the surface. The best things happen spontaneously, on stage. I'm doing three concerts here; I guarantee that none of them will be the same. We're not machines.
photo © Christian Stein, permission to use granted by Baltimore Symphony Orchestra
Sarah's first album was Debut featuring virtuoso pieces by Sarasate, Paganini, Elgar and Prokofiev.

It was recorded when she was 9, using a quarter-sized violin.
Sir Yehudi Menuhin said, "Sarah is the most wonderful, the most perfect, the most ideal violinist I have ever heard."

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Story by Catherine Wadley

"I was working with Zubin Mehta and organized for him to hear Sarah when she was eight. She was playing a 1/4 size violin. When I came to get her from her room she was jumping up and down on the couch while playing part of a Paganini Caprice.
Her father (and teacher) was there as was Dorothy Delay - her current teacher. Her father was a very shy man and didn't want to be in the concert hall when she played.

I brought her down onto the stage in Avery Fisher Hall and then she asked Zubin what he would like her to play. He said just play whatever you have prepared. She said I can play whatever you like. Her teacher Dorothy Delay then pulled out her repertoire list. I swear there was nothing missing from that in terms of major concerto repertoire - including Elgar, Bartok, Beethoven, Brahms, Sibelius etc. as well as major recital repertoire. She was prepared to play any or all of it and from memory and she insisted that he chose. Zubin settled for little of the Tchaikovsky and then some Paganini. After about 10 extraordinary minutes he said laughingly to Ms. Delay - she must be a midget - no-one could play all that repertoire and play so wonderfully. And consider that she only started playing at 4.


Two days later she played with the Philharmonic at a Young People's Concert and astounded the musicians with her musicianship and technique. She played the Pagannini Concerto No1 without a rehearsal, playing it absolutely perfectly including the more difficult cadenzas. Incidentally this was the first time she had ever played with a major orchestra.

The concert was recorded by the Philharmonic as were all the concerts but was never released. I continued to correspond with Sarah and family for some years. She was the most delightful unpretentious child with a normal loving family. Never once did I get the sense that she was pressured to play - she really loved it and it came totally naturally to her."
Story used with permission by Catherine Wadley

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Sarah records exclusively for EMI Classics
  • Simply Sarah
    The Dance of the Goblins Bazzini
    Cantabile in D Major Paganini
    Introduction & Tarantella, Op.43 Sarasate
    Canon in D Sarasate
    Waltz-Scherzo, Op.34 Tchaikovsky
    Berceuse, Op.16 Faure
    Hora Staccato Dinicu
    Masks Prokofiev
    Sonata No.12 in E minor, Op.3 Paganini
    On Wings of Song, Op.34, No.2 Mendelssohn
    Sonata Movement (Sonatensatz), Op.posth Brahms
    Mélodie GLUCK
    Banjo and Fiddle Kroll
    Nocturne, Op.51, No.3 Sibelius
    Zapateado, Op.23 Sarasate
  • Sarah Chang violin
    Mendelssohn Violin Concerto in E Minor, Op.64
    Sibelius Violin Concerto in D Minor, Op.47
  • Sarah Chang violin
    Vieuxtemps Concerto pour Violon No. 5
    Symphonie Espagnole
  • Debut
    Fantasy on Carmen, Op. 25 Sarasate
    Salutd'amour Elgar
    La Capricieuse Op. 17 Kreisler
    Sabre dance Khachaturian
    Tempo di Minuetto Kreisler
    Caprice No.1 in E, Op.1 Paganini
    Caprice No. 15in E minor Op.1 Paganini
    Nocturne No. 20 in C# minor Chopin
    Prelude No. 10 in C# minor Shostakovich
    Prelude No. 15 in D Op. 34 Shostakovich
    It Ain't Necessarily So Gershwin
    Consolation No. 3 in D flat Liszt
    Melody in E flat Op. 42 No.3 Tchaikovsky
    March from The love of three oranges Prokofiev
  • PAGANINI Violin Concerto No. 1 1994
    SAINT-SAËNS Havanaise
    SAINT-SAËNS Introduction and Rondo Capriccioso
  • Tchaikovsky Violin
    Brahams Hungarian Dances Nos.7, 2, 4, 1
  • The Lark Ascending
    Symphony No. 5
    The London Philharmonic
  • Sweet Sorrow
    Vitali Chaconne
    Mélodie by Gluck
    Hungarian Dance No.1 by Brahms
    Lalo Symphonie espagnole Op. 21 Andante
    Vieuxtemps Violin Concerto No. 5 Op. 37 Adagio & Allegro con fuoco
    Paganini Sonata No. 12, Op.3 Andante innocentemente
    Cantabile by Paganini
    Nocturne Op. 51 No. 3 by Sibelius
    Chopin Nocturne No.20
    Consolation No.3 by Liszt
    Canzonetta by Tchaikovsky
    SAINT-SAËNS Introduction and Rondo capriccioso

Visit Sarah Chang's Official Website


    Sarah's Music Awards!

  • 1987 - the Starling Scholarship for the Julliard School in New York
  • 1993 - Avery Fisher Career Grant & a special Gramophone award a Young Artist of the Year
  • 1994 - Newcomer of the Year at the International Classical Music Awards in London
  • 1999 - Avery Fisher Award
  • 2005 - Internazionale Accademia Musicale Chigiana Prize